How quick is the rendering gotten now where you can see what people are doing? I know it has gotten so much better, you guys used to have to render overnight. If I’m not mistaken, rendering time is always a challenge. So if it didn’t it was because we couldn’t get the rights or because it would be so boring or so close to versions of what we’re showing you that it would be a waste of your time. I’d say 90% of what we did has somehow made it onto the DVD.
STANTON: There are a couple of things that were held back simply because we couldn’t get the rights to either the music or the talent. The Blu-ray includes deleted scenes, is it all the deleted scenes you had, or are there things that you still held back? So I get something out of it just from having that event and I hope other people do too. He rarely wants to talk about himself or get into it, even in private, so I thought it was such a gain to capture that on film. Because I was a huge fan of his for years before I ever got to start working with him, and this is our third film together, I plan on working with him for a very long time. STANTON: I don’t know if the fans will love it as much as I do, but privately got a huge thrill and felt like a big win to get to sit down and talk with Thomas Newman and really let him go to town and break down how he approaches composing a score. So the fact that other people receive it as strongly as the original it just makes confirmation of that. So for me Finding Dory is Finding Dory, it’s not the follow-up, and I have that comfort of just knowing that I gave it that and that I feel like that about it. And so by the time you’re done you don’t see it as anything else but its own freestanding film, and that’s been true in any of the sequels I’ve worked on. that you have to convince yourself that you’re making another original very early on and stop looking at it like it’s a sequel to anything, it’s the only way it’s gonna get the same love that the original did. We learned a long time ago with Toy Story 2, which was our third film.over 20 years ago. The trick is that all you’re really trying to do the whole time is match your own expectations. It’s all good, I’m not complaining or dismissing it, but –It’s a huge sigh of relief, it always is, but it’s a huge sigh of relief that you made something that matched their expectations. What I do is if people still talk about it or watch it years from now and I won’t know that for a while, so less so the fact that they went in the first place. So I don’t put a lot of weight into that. To be honest, I never really attach the monetary gain to how much people like something, because there’s plenty of films that have been box office wins that I’ve forgotten almost right after I walked out of the theater.
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